Jeannette Slütter’s (1988) work consists of site-specific installations/situations. This means that from every location/space derives a new work, containing elements that, for instance, repeat the room and point it out. It is not there to highlight the architecture but as the embodiment. It’s how the objects are being choosen and in which context, circumstances, and interrelationships they are shown. She creates a constellation of minimal interventions, working with variable materials such as ceramics, prints and daily used objects. Everything combined creates a choreography where the visitors and the duration of the exhibition plays part in. Often objects shift with time in placement or form, and it keeps creating new situations.
Jeannette Slütter (1988) – Enschede
I’m working in The Hague.